Testing Nakst Integrate - Classic Hardstyle Lead

video upload by Eyezer Productionz | Synths & Audio

Note Nakst was first introduced a year go.

"Introduction (from the manual):

As technology has improved, it has become possible for manufacturers to produce increasingly complex synthesizers. This has led to the creation of synths that trade off easeof-use for maximum sound design potential, spreading hundreds upon hundreds of options and parameters throughout dizzying interfaces, full of tabs and menus. They provide oscillators and filters with such immense algorithmic precision that any soul or character is stripped away before it has a chance to flourish in the sound. Integrate is not like that.

Integrate has been designed with the goal of creating an old-school virtual analog that has just as much personality as any of the classics, paired with a fantastic user interface that makes exploring the sonic possibilities an effortless pleasure. It cannot do everything, but this is intentional; limitations breed creativity. No longer will you spend hours scrolling through lists of wavetables, paralyzed by the impossible task of deciding which is the best to use – a question that has no right answer. Instead, Integrate has a simple two-page layout where every parameter has been selected for its unique axis of inspiration. Every dial, slider and button is waiting to delight you as you delve into a world of aural possibilities.

Many thanks to fdigl for providing me a NFR license for this plugin! Next video will feature some custom patches made by me.

https://nakst.gitlab.io/integrate/"


video upload by nakst

Integrate — Factory ROM Demo (unscripted, no talking)

video upload by nakst

Timestamps:
00:00 — Arps
01:17 — Basses
04:00 — Drums
04:30 — Effects
05:16 — Keys
06:40 — Leads
14:42 — Organs
15:15 — Pads
18:32 — Plucks
19:34 — Synths
23:08 — Trancegates

"The old-school virtual analog synthesizer: reimagined and perfected, optimized for creativity. Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine."

"The old-school virtual analog synthesizer: reimagined and perfected.

A synthesizer optimized for creativity.

Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine.

Four mighty oscillators.
The four main oscillators come equipped with a selection of 74 waveforms and a flexible noise generator.
The traditional waveforms (sine, sawtooth, square and triangle) all have a specially chosen parameter that can be modulated, allowing you to creating evolving sounds. The noise generator has tweakable color, and it also supports key tracking for an effect reminiscent of early game consoles.
Also featuring FM, RM and hard sync, there's a world of possibilities waiting to be unlocked in these oscillators.
There's also a sub oscillator sporting three waveforms, ready to quickly beef up your patch.

Have it your way.
Integrate lets you configure the character of the oscillators, giving you the power to shape the sound of your patches from the very start of the signal path.

Pick between the “Clean” rendering mode for a modern touch, or the “Digital” mode to add a gritty punch to your sound.

Make anything super.
Oscillators A and B both sport a unison section, letting you turn a simple waveform into a 7 voice beast. Configure the detune and mix, or enable “Stereo” to spread the voices across the channels. You'll soon discover how much of a monster Integrate is at fat, anthemic sounds, perfect for mesmerizing listeners of any genre.

The latest technology.
Integrate is available in the new CLAP plugin format, boasting advanced features like non-destructive polyphonic parameter modulation and note stacking. We're proud to join its community of developers who are pioneering the latest in audio technology.

Information, only when you need it.
To keep the interface compact and free from distractions, Integrate keeps extra information about parameters neatly tucked away in popups that only show when you're interacting with the relevant controls.

Waveforms, envelopes, frequency spectrums all pop up as soon as you need them, and then instantly hide away once you're done with them.

Explore new territory.
Integrate isn't an emulation of an existing synth. Instead, it's a brand new design, waiting for you to explore what it's capable of. Dive into a world of characterful oscillators, screaming filters, chaotic LFOs, and dreamy reverbs. There's bound to be something that'll captivate your imagination.

Erebus Orifice from Zerosum Inertia

video upload by NOISEBUG

"A. Description:
The Erebus Orifice is a synthesizer module designed for processing audio signals.
It is also capable of generating audio which can be manipulated with Control Voltage.
The Control Voltage is made possible with the help of a VTL5C3 vactrol.
Modulation sources providing 0-10v signals are ideal, 0-5v signals will work too.
The basic design of the Erebus Orifice is a tube preamplifier with a tweaked feedback path.


B. Inputs, Outputs and Controls
There are 3 jacks available:
Enter is where audio signals are to be inserted.
Exit is where audio leaves the module.
CV is where Control Voltage signals are to be inserted.
There are 2 knobs available:
Top knob controls feedback.
Bottom knob controls gain.
The purpose of a knob is to manipulate the behavior of the audio signal being heard.
Twist the knobs and observe the results.
Choose your own adventure.
There are only 2 directions to go: left or right.

C. Power details
The tube used is a 7 pin 6CB6 sharp cutoff pentode.
The use of the tube requires the user to have a power source capable of providing
150 mA of +5 and 30 mA of + and -15 on average load.
The plate voltage is 48 volts and there is no risk of injuring the user.

D. Mounting details
The module is designed to take up 1 space in a synthesizers.com cabinet
sometimes referred to as "MU" for Moog Unit.
The Erebus Orifice is not designed to recreate or emulate such circuits.
It is an addition to the large format modular system, not a clone of any other design.
Rear depth of the module is a shallow 1.9 inches.
Power connection is provided by a 6 pin MTA connector  compatible with Synthesizers.com power distribution systems and QPS1 and QPS3 supplies.
The panel is 3mm thick aluminum with machine engraved print.
Panel will not flex or bend and print will not flake off."

https://www.noisebug.net/

New X1L3 - DRAIL - hacked fx processor - eurorack module

video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at: https://x1l3.bigcartel.com/product/dr...

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream 💀🤣

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway 💀🐗

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing 🔥🔥

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️👌

Cheers for checking it out."



"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Behringer Introduces MS-5 Synthesizer Modeled on the Classic Roland SH-5 for $599

A Legend Comes Back to Life - Introducing MS-5 video upload by Behringer

"Video & Music created by Patrick with the Behringer MS-5."

"Rock the stage with tremendous bass tones and mesmerize the crowd (and your band) with the Behringer MS-5. Couple that with a purely analog signal path and you’ll be pushing out fiery riffs perfect for that next sci-fi masterpiece.

List Price: $599 (in stock and immediately shipping from our factory)"

"For decades now there's been a notable community of online synthesists asking for this legendary and rare synth to be brought back in it's full analog glory, and it's about time someone answered their call."

00:00 Intro
00:33 MS-5 Intro Song
01:20 Prologue
01:52 Return of a Legend
03:35 Oscillator Demos
04:48 Osc Sync Sounds
05:21 Ring Modulation
05:41 Techy Demo
07:27 Jam Licks
08:59 Arp Mash
11:02 Beta Tester Thoughts

"Analog Synthesizer with 37 Full-Size Keys, 2 VCOs, Multi-Mode VCF, VCA, 2 LFOs, 2 Envelopes and Ring Modulator

Rock the stage with tremendous bass tones and mesmerize the crowd (and your band) with the Behringer MS-5, a pure analog synthesizer based on the original “SH-5” – making it a versatile and nuanced synth which can easily make its home in any setup.

The Behringer MS-5 is a faithful reproduction of the original “SH-5” circuit and it comes with 37 semi-weighted keys with velocity functionality allowing you to vary the intensity of a note with how hard or soft a key is pressed. Couple that with a purely analog signal path and you’ll be pushing out fiery riffs perfect for that next sci-fi masterpiece.

The MS-5 comes equipped with two VCOs and LFOs that come with 4 switchable waveforms each plus an array of tone shaping options such as modulations pulse width, pitch, rate and delay time."

CLICK FOR MORE »

Trigon 6 and Pro 3 - compared on low level

video upload by Infested Alien

"These types of comparison are super booring to watch. But what I've notice is that these two machines are more different at the lower basic blocks that I could imagen. This video do not compare out of reach functionality between machines. Else the pro 3 really pushes the limits way futher compared to a analog poly like Trigon 6 etc.

Conclusion: (subjective)
Pro 3 is more noticable at lower frequencies and also higher.
Pro 3 can be pusched really hard in signal path.

Trigon 6 is more smooth with completely different Saw + Tri sound.
Trigon 6 filter feels more like a hybrid between a moog and TB in some points. Very interesting.

A mono is intended to be way more "aggressive" than a poly for a simple reason. A poly would be rendered useless if the signal path would be to loud in terms of more voices at same time compared to mono."

ADDAC System - ADDAC813 Stereo Mixer+

video upload by DANIELE

"ADDAC813 Stereo Mixer+5 features 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs. Th mono send/return path allows for easy integration of mono effects in a stereo chain!"

0:00 Intro
0:08 Main features
0:30 Pre-fader mono effects loop
1:02 Granular freeze
1:17 Line or synth level
2:06 Mono filter on stereo drums
2:54 Mono filter on plucked strings
3:52 Mono distortion on stereo VCO

"ADDAC813 is a straight forward stereo mixer. Featuring 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs

Four channels with stereo input and gain knob. Fifth channel with stereo input without gain knob, which are the prefered inputs to cascade several ADDAC813s when more channels are needed. Master Output controls the level of the Inputs mix. Two leds monitor the inputs mix.

Mono Send / Return return path allows for easy integration of mono effects in a stereo chain. Plug your favorite module through it (filter, bbd delay, spring reverb...) or any mono pedal.

The Return Gain works in parallel with the Master Output, just like regular wet / dry controls.
The send output can be configured to be line or synth level via a jumper in the back.

Stereo output sums the Inputs Mix with the Return signal.
The Mono output is the sum of Left and Right outputs

Effect Pedals
Using the send output at Line level, the user can connect the send output directly into mono effect pedals and have the pedals output connected directly into the return input without the need of an attenuator/amplifier module."

Introducing Taiga Keyboard Expandable Analog Synthesizer

video upload by Pittsburgh Modular Synthesizers

"Taiga is a complete, modern, modular instrument that allows us to explore beyond the boundaries of a traditional analog synthesizer. The sound of Taiga can be attributed to three uniquely Pittsburgh innovations. A trio of huge analog oscillators, the unmistakably smooth sound of the Pittsburgh Filter, and the warmth of our Dynamics Controller. These enable us to not only create sounds that we would traditionally expect from an analog monosynth, but to also explore new sonic textures and performance possibilities.

Unique To Taiga Keyboard

Taiga Keyboard’s larger format provides the room for a few unique features. Most obvious is a full size 37 key premium keybed with velocity and aftertouch. The dedicated pitch and modulation wheels offer instant access to a unique set of modulation tools including manual control, clock sync’d LFO, envelope, and random source. 1/4 inch left and right output jacks, and full sized MIDI in and MIDI out DIN jacks are available on the rear of the instrument. The larger format also allows Taiga Keyboard to utilize larger, more spread out knobs and a second analog LFO.

Taiga Keyboard also includes a first-of-its-kind, 24hp Eurorack format modular expansion bay. The fully modular signal path of Taiga means modules can be inserted into any point of the signal path. Install a 4th or 5th oscillator into the expansion bay and create truly monster sounds. Additional filters allow for an expanded sonic palette. Add a sampler, sequencer, complex digital effects, or even a Maths. The integrated Eurorack expansion bay allows Taiga Keyboard to be customized to meet the unique needs of any artist."

Check with dealers on the right for availability.

Tiptop Audio Officially Releases ART Line of Eurorack Modules

via Tiptop Audio

"Today, we are celebrating the release of the first set of ART-equipped modules, marking the first time this technology is ready for purchase. We are starting with the release of the ATX1 Analog VCO, Vortex Digital OSC, Octopus USB/MIDI interface, ART V/OCT Quantizer, and Control Path dual analog envelopes plus VCA.

On our website, we have dedicated the ART landing page as the knowledge base HQ for ART. There, you will find plenty of educational videos, module video manuals, and uploaded video playlists of music filmed during beta testing. ART is simple to use and easy to understand, and with those videos, we made sure all aspects and potential misinformation have been addressed. Additionally, more information is in the process of being added in the coming days for both DIY enthusiasts and module makers on how to implement ART, including a free reference design that adds ART to Mutable Instruments Braids and Plaits.

The creative process of making music on a modular synthesizer is a unique tactile and aural experience. With ART modules, we are entering the territory of tunable instruments and polyphonic multi-timbral compositions but with the sound design power and immediate interface of a modular synthesizer. The initial release focuses on the mono VCOs that you can use to build voices quickly or combine for discrete polyphony. Very soon, we will extend the lineup with the fully polyphonic ART modules and the release of the Polytip patch cable."

Individual modules below. Systems:

Pictured Top: The Analog Bundle S1 $945 Save 33%

Middle: The Analog Bundle S2 $999 Save 33%

Bottom: Vortex 6, Octostages Poly Envelope, Octapass Poly Filter, Octagain


ART Demo Videos

ART Beta Testing recordings


ART Essentials


ART modules video manuals


Demo patches, tips for sound design

ATX1

A classic all analog saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. We consider the ATX1 the best sounding analog VCO we ever created.

CLICK FOR MORE »

New Groc Granular Hardware Synth from Oddment Audio

video uploads by oddment audio

Playlist: 1. Groc granular synth - modulating fun

Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!

2. Violin and ambience with Groc granular synth

Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.

3. cool fall day + warm groc tones

walking on a cool fall day, accompanied by warm tones produced by groc granular synth

4. Groc - LED sequence with spatial sound

This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!

5. Groc Demo - Grain parameters

First demo of groc's grain parameters with a guitar loop as audio sample.

"Sculpt sound. Modulate everything. Do you groc?

Stunning, yes.

Slim, yes.

Powerhouse, also yes.
quad core 64-bit ARM processor
1GB RAM, 4GB of user storage
vivid DSI touch screen
cutting edge signal processing
fits in a bread box

Not like the others.

Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more.
The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?

Patch without limits.

Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).

To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest.
In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.

Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."

Learn more about Groc and Oddment Audio: www.oddmentaudio.com

Doctor Mix & Anthony Check Out the PWM Mantis Synth | NAMM 2024

video upload by Anthony Marinelli Music

"Join me and my good buddy Doctor Mix as we explore one of the most talked about synthesizers at NAMM 2024. It won't be difficult to discover how much fun we're having checking it out for the first time. I can see that there is still a lot to unpack about this synth and I'm looking forward to doing just that. Please stay on the lookout and tune in to AMM for a much more in-depth look at this super fun and great sounding instrument. It's part of a special family of synthesizers that were all designed with much love. PWM Mantis is a collaboration between the late Chris Huggett (EDP Gnat, EDP Wasp, OSCar) and PWM (Paul Whittington). A hybrid-analog synthesizer, Mantis utilizes mathematically-generated oscillators with a pure analog signal path and a modernized design architecture based on the EDP Wasp with an OSCar-style filter. It is also duophonic, with two fully independent voices, and features dual multi-mode filters that can be combined in series or parallel. Fully featured, Mantis is equipped with an arpeggiator, 37-note full-size semi-weighted keyboard with aftertouch, multi-function joystick, and MIDI/USB control for easy integration with any studio or live environment.

00:00 Doctor Mix and Anthony Sweeping Filters (Cold Open )
00:30 Walk up (music)
00:49 Meeting Mantis Co-Designer Paul Whittington
01:24 Trying out the PWM Mantis
02:22 Sweeping Multi-Mode Filters
03:33 Wave Shape Panning
04:57 Add Glide and Filter Sweeps
05:14 Paraphonic
05:40 Doctor Mix and Anthony Summary
06:18 Logo (music)"

#NAMM 2024: PWM Malevolent and Mantis

video upload by CatSynth TV

"Paul Whittington of PWM walks us through the wild sounds of the PWM Malevolent, a fully analog semi-modular synthesizer with a screaming filter, and the new Mantis, a hybrid analog duophonic synthesizer with digital oscillators and fully analog signal path downstream that takes inspiration from the legendary WASP synthesizer.

To find out more about both instruments, please visit https://www.1pwm.com/"

NAMM 2024 PWM Mantis Synthesizer

video upload by Shazamm

"The PWM Mantis is priced at $1,499 USD, with a street price around $1,349. See the PWM site for more information."

Specs

CLICK FOR MORE »

Introducing Supercritical Redshift 6 - Six voice analog Variable Character Synthesizer

video upload by Supercritical Synthesizers

"Supermassively dense analog oscillator combined with a chameleon analog filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company’s previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analog waveforms generated under digital control. The filter core is an analog 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6’s idea is something that is wrapped in the moniker “Variable Character Synthesizer”. Each voice’s analog path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analog polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehavior and beyond. No modeling here - it’s all analog until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6’s six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch color screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analog platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module - Technical specifications
● Six voices each featuring:
● Full analog signal chain
● Digitally controlled analog Supercritical Demon Core Oscillator
● Analog four pole Variable Character Filter
● Flexible gain staging with an analog boost circuit
● Physical audio output per voice (2 main outputs and 4 aux outputs)
● Optional voice chaining
● Bypassable digital effects in main outputs 1-2
● 2.7" TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
● Quick powerful controls for oscillators and filters.
● Six user-assignable macro controls
● Six parts multitimbral
● Modern MIDI implementation with USB-B connection and DIN IN/OUT
● MPE
● 12V power supply
● Physical dimensions: 378 mm x 254 mm x 63 mm

The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€" Preorders starting now at https://supercriticalsynthesizers.com

Click the pics for the full size shots.

CLICK FOR MORE »

Jolin KNOBI / macro controller / mix attenuate invert amplify voltages / extensive playthrough

video upload by BRiES

"KNOBI by Jolin is a unique take on a utilitarian staple of eurorack systems: attenuverting and mixing. At first glance KNOBI is not so complex, but try using it without reading the manual and you might be somewhat confused. Once you understand the signal flow it all makes a lot of sense though... and I'm here to help.

In this video I shed some light on the leftfield macro controller that is KNOBI and I share a few in-depth patch ideas to hopefully spark your creative plug. Since there's always a fitting place for attenuation in almost all situations figuring out how to implement KNOBI in patches comes down to your imagination. I demonstrate how I use it to open and close a filter, how I use it as a macro controller for a complete patch and how to use the seemingly random 'x2-5V' setting to create a side-chain compressor patch without the hassle of manual offsets."

0:00 intro
2:43 explanation
22:20 patch idea 1 pushbutton
28:05 patch idea 2 control a patch
45:43 patch idea 3 side-chain compressor

via Jolin

"KNOBI is a multi-tool able to mix, attenuate, invert, display and multiply any kind of signal.

Knobi can serve a wide range of purposes thanks to its internal signal path that makes use of some of the most useful building blocks of analog synthesis: a 4-channel mixer, a three-range offset, an attenuverter, a fixed manual gate and lastly a cascading multiple derived from the output stage of Agogô.

a, b, c and d are Knobi’s inputs while r is a fixed 5v reference output. The toggle switch next to d sets the range of the attenuator/offset. Connect a signal into one of the inputs to visualize its voltage value in the three digits meter. Keep in mind that this reading happens post attenuator/offset and attenuverter – the smaller knob with (-) and (+) indications.

The pushbutton next to x4 adds a gate of 5v to the mix: with no input connected it will act as a manual gate output. Autopatch the r reference output into one of the inputs to use Knobi as a macro controller thanks the attenuator/offset knob and switch to set the range and the attenuverter.

x1, x2, x3 and x4 are all cascading copies of the final signal path. Plugging a cable will break the normalization and the multiplication will reset starting from the next output. Four cables plugged in will output a copy at the same factor x1 - unity gain – making Knobi a versatile buffered multiple."

Features

Thermally compensated 5v voltage source with dedicated output.

Four channel mixer with four buffered output.

Built in 3 digits voltage meter post mix / attenuation / inversion.

Attenuator/offset with a dedicated three positions range toggle.

Manual gate button tied to the mix.

4 cascading outputs in an open design configuration.

Unique signal path: mix – attenuate – invert – add – visualize – multiplicate.

“Whatever” power connector a.k.a. don’t mind the polarity.

Moog Rogue Demo

video upload by Daniel Farris

From the future!

"This is a demo of my Moog Rogue synthesizer. Recorded on 12/13/24. The synthesizer sounds excellent and is in excellent cosmetic shape. It was extensively professionally restored a few years ago and has rarely been used since. It is missing one slider cap from the envelope section, but everything works perfectly.

The signal path was synthesizer -- passive DI box -- Midas Heritage D console -- Pro Tools. Any reverb or delay effects have been added in post. There are some pops and glitches in the audio, but those come from video transcoding errors, not from the synthesizer."

Bébé Chérie by OTO Machines

video upload by OTOMACHINES

"Bébé Chérie is a 6-channel stereo analog mixer with a one-knob compressor and a Bliss enhancer on the master bus. https://www.otomachines.com/product/b..."



"Bébé Chérie is a 6-channel stereo analog mixer with a one-knob compressor and a Bliss enhancer on the master bus.

The first 4 channels offer a variable input gain (up to 34 dB) with an asymmetrical diode clipper for smooth and musical distortion.
The Tilt pot is a simple yet powerful one-knob equalizer : boosting the lows while attenuating the highs when the pot is turned down, attenuating the lows while boosting the highs when the pot is turned up.
When the Tilt pot is in its center position, the equalizer is flat.
The rear panel switch selects the type of inputs : TRS for stereo sources and TS for mono (the signal is center panned).

The last 2 channels include a 2 bands Baxandall equalizer, the input gain can be set between 0 and +10 dB using the rear panel switch.
There’s no distortion on these 2 channels so you can use them when you want to keep a clean sound.

The compressor has a 3:1 ratio with a fast attack and a mid release times, perfect for mixdown compression.
Very easy to operate, it will give you good results with many kinds of music styles.
The Bliss pot controls a hi frequency enhancer circuit and is very useful for adding air and punch to your mix, specially when your using large amount of compression.

Whenever a channel is muted, the signal is routed to the Alternate output. You can use this output for recording purposes or for sending the channel to an external effect.

The Phones output is based on an unity gain, low noise and low distortion Texas Instruments© amplifier. This output is a copy of the master output (with compression and Bliss), so you can also use it as a second output.

Bébé Chérie uses the best quality parts : ALPS© pots, high-performance operational amplifiers, audiophile Panasonic© film capacitors, THAT Corporation© VCAs, Switchcraft© 3.5 mm connectors, metal enclosure.
The power supply is internally boosted to +/- 12 volts for pro audio headroom.

Bébé Chérie is specially designed for mixing 3.5 mm stereo Jacks sources, but can be used with any device using adapters.

Bébé Chérie is a very versatile box and can be used in many ways : mixer for compact live, analog summing for your audio interface, effect box (distortion, equalization, compression,…)

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Background Modulars No.2 - Modcan A-Series

video upload by Memetune Studio

"Can't find a real vintage Modcan A-Series modular system? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

Here is 10 minutes of self-playing modular synthesiser niceness. Why not put it on loop - then you can have it bubbling away in the background while you do other things

This is the second Background Modular video - the first featured the ARP2500 - [posted here]

A note on the patch: two VCOs (one of which is the Miniwave) go into the Modcan 02A LPF then to the output mixer. Various AD and ADSR envelopes control the filter cutoff coming in at various levels. The melodic notes are being chosen by sending a VC LFO into the Cyndustries Gated Comparator which is like a S&H crossed with a shift register and analog switch. It throws out notes that are semi-random. This output goes into a Quantiser to keep the notes sort of in tune. The Sequencer is used to vary the timing of the notes. A second signal path consists of the above going into the Modcan CV Recorder / Sampler which is the lower set of notes you can hear. I quite like the way its all a bit out of time and wonky. The stereo output goes into my mixer (Sony DMX-R100 with GA 1073 analogue preamps/eqs), with a bit of reverb (Lexicon Model 300)

Actually the patch is more complex than this, but it's too much to explain here - it would take my word count over the limit 🤣"

Intellijel SeaLegs | One of the best delays out there.

video upload by Cinematic Laboratory

"Anything I'd say about SeaLegs would come out as a sales pitch. What I can say is that I am a happy customer and it will give a lot of existing delays a hard time if this were a competition. But it's not. A typical Rabbit Hole has a lot of delays to choose the best one for the right job. If you still need to pick your very first delay module, you can safely put it on your shortlist."

Update:

Sealegs Firmware 1.1 Update


"A quick addendum to my Sealegs video. Firmware 1.1 was released while I was making my video and repairing my ShapeShifter so I totally missed it and forgot to check. It adds two important features: Drive can now be set to different positions in the signal path. The Digital mode doesn't shift pitch anymore when you change clock divisions (slider) or trigger Clk with a pattern. So it now comes a bit closer to a Mimeophon."

A Exciting & Unique take on Dual Complex Oscillators // AtoVproject Dual Harmonic Oscillator (DHO)

video upload by DivKid

The DHO made its first appearance on the site back in 2022 here.

"AtoVproject have come out swinging with a new, exciting and unique take on what you could think of as a 'complex oscillator'. It's an analogue design and signal path under digital control, which allows for a unique built in modulation section alongside an absolute festival of VCAs in the circuit offering LOTS of CV modulation options for harmonic control, TZFM and folding.

Each oscillator has 4 harmonics set an octave apart and each harmonic is its own triangle wave. These can be level (AM) modulated and used for TZFM (through zero FM) and all that goes into a mix section with external input into a wave folder. The wave folder is based on the circuit from the Befaco Chopping Kinky module (which I thought was a nice touch) with a redesigned VCA section.

The built in modulation is based on algorithmic noise which is used in video games to render things like mountain ranges, but there's also 10 LFOs you can use. Either modulation type can modulate any of the 10 destinations with the harmonic controls and FM levels.

Impressive stuff right? I'd love to know what you think ... leave a comment and lets chat about it!

p.s. it's available in the silver and black for the black panel brigade, or science lab chic crew.

DHO manual & info - https://bit.ly/AtoV-DHO"

Update:

A Sonic Playground! // Dual Harmonic Oscillator by AtoVproject - more sounds & music

video upload by DivKid

"The Dual Harmonic Oscillator from AtoVproject is one hell of a sonic playground for all sorts of synthesis, sound and musical approaches to working with a dual or 'complex' oscillator. When I made the main demo (watch that first, link above) I ended up making so many patches with it that I wanted to put together a second video that revisited the module. So here it is."

Cherry Audio Releases Pro Soloist Synthesizer

video upload by Cherry Audio

The British Stereo Collective - "Ghosts in the Machine," featuring Cherry Audio's Pro Soloist

video upload by Cherry Audio

""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.

Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."

Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."

Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic

video upload by CatSynth TV

"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.

This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.

To find out more, please visit cherryaudio.com

"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?'
virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."

00:00 Introduction
00:25 History of the Arp Pro Soloist
01:23 Overview of the Cherry Audio Pro Soloist
02:21 Original front-panel presets
08:35 Global controls
09:35 Touch Sensor Effects
16:00 Edit Mode
16:59 VCO
18:59 VCF
21:53 Resonator bank
23:53 Modulating the resonator bank with the mod matrix
26:45 Effects panel
34:46 Multi-layer mode
38:08 Factory Presets
42:18 Vintage Vibe expansion bank
43:44 Conclusion"

Press release follows.

"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.

PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.

Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.

Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.

Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.

In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.

Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.

A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.

Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."